Inscendence as a complementary word to the transcendence brings you contemplations on various topics from the perspective of the reflective, associative and internal intelligence. A journey into depths to find, like Rumi said, the “Messiah, in my heart, I bear.” (مسيحا در دلم پيدا و من بيمار می گردم).
Enjoy the articles. Take them in. More than philosophical discussions or my attempts to convince you of anything, take them as gentle meditations and let them reveal that which your own Inner Heart knows.
[The articles from the old website, Orphic Inscendence, are here too.]
The Lady of the Underworld
Ereshkigal's own desires and ambitions are unclear to her and she fears to seize any part of her that desires authority. Fearing to pursue anything of her own, she as a mother may often be the one who subconsciously lives her ambitions through her son and as a consequence creates a mother complex in him. If she is no mother, she may try to live out her ambition through her husband, in one way or another, directing him to pursue the things she wished she pursued herself. She is always the acted upon, never an actor, a side character in her own life.
The Sacred Prostitute
Stranger is "the other", the foreign, the different, the man, the phallic, the penetrating. He is, as the Corbett calls him: "the phallic beast" for the maiden who faces his often visually aggressive sexuality. But in the ritual, the bond is honoured, he does not assault her, and that which looked foreign, beastly, strange, becomes the source of ecstasy. Symbolically, on the level of psyche, the woman allows her inner man, to penetrate her anima.
Woman to Woman
Nin, in the excerpts above, imagines June as a sort of goddess - she is out of reach, she provokes devotion and admiration. It is almost as if Nin's affair with Henry himself, was an attempt to get to know June - to learn something about her through the man June was with. This blonde, selfish, towering goddess has a dominant presence, unlike Anaïs, who tends to be sensitive and receptive. Yet, like she says, it is not exactly the same feeling that Anaïs would get from a man — she feels that even though June carries a dominant energy, she is still very much a woman and very feminine.
The Seductress and the Eros
Giuditta and Carmen are both dancers, and they both captivate with their dance. Unlike the more pornographic, dances, they, like Salome, leave something "behind the seven veils", they show and invite without overdoing, they incite curiosity, the desire for the unfolding of the story and not the quick release.
A Woman’s Life Saga
By completing her heart's last wishes and giving back to the world that which she had learned from it, she is ready to leave the life on earth fulfilled and with no regrets on her deathbed.